Lecce, a  city in Apulia of 94.907  inhabitants , is of Messapian origin. According  to 
tradition, it was founded in the V century B.C. by Malennio, whose daughter  Euippa married Idomeneo, the hero coming 
from Troia who had already defeated his  father-in-law, taking possession of the reign. The town was originally called 
Sybaris,  then because of Idomeneo, Lytium or Lycium. Lecce  kept being a Messapian town, though it was also 
influenced by Magna Graecia, even after  the Roman Conquest (267 B.C.). It opposed the expansionistic aims of 
Taranto, it allied itself with Athens  in the 341 year of Rome and it sent 1500 archers  in support of the Greek town 
for the war in Sicily.
  The mysterious  Messapian people, proud of their civilization and their military power, gave a  lot of trouble at 
first to the Greeks in the South Italy  and then to the Romans. Imposing walls, archaeological stations (Rudiae, 
Cavallino, Muro Leccese, Alezio,  Ugento) remain in Salento and in Lecce  itself, during fortuitous excavations: 
sometimes appear tombs, inscriptions,  funeral equipment of which we can see some finds in the local museum S. 
Castromediano while the most part of  funeral furnishings is preserved in the National Museum of Taranto.
  Between 629  and 267 B.C., owing to the wars between the Messapian-Salentine confederates, Taranto and Pirro and the 
Urbe (Rome),  the Roman conquest occurred in Salento, where the Messapian language and the  different dialects from 
Magna Graecia were  spoken, but which, during the seven years of Latin domination, completely  disappeared.
  In the  neighbourhood of Lecce, in the meantime declared Statio Militum Lupiae, Quinto Ennio was born in 
Rudiae in 239 B.C.,  a famous Roman poet, proud of his Roman citizenship, but also proud of his  Messapian-Rudian 
origins.
  Lecce  and Salento, after occasional rebellions, linked their fortunes to Rome, to which they were  always faithful 
and the town, taking part in Camilla  tribe, also succeeded in opposing Hannibal who wasn't able to violate its  
walls. Roman soldiers and colonies settled in Lecce, and in particular we must remember  that in 102 B.C. a colony was 
founded, led by C. Mario Nepote and by L. Lutazio  Catulo. Another colony was established in the town in 75 A.D., 
under the power of  Vespasian. Of the Roman age some epigraphs, some ruins, an amphitheatre and a  theatre remain in 
Lecce,  belonging the two last ones to the II century A.D.
  Of Roman Age  is the column which bears the statue of St. Oronzo, patron of the town, who,  together with Saints 
Giusto and Fortunato is celebrated from 24th to 26th  August. Such column, in the homonymous St. Oronzo square, is one 
of the two  final shafts of the Appian Way, ending in Brindisi.  And the people from Brindisi themselves, in the late 
XVII century, due to  favours received by St. Oronzo, gave the column as a gift to Lecce in order to  put the statue 
of the Saint thaumaturge on its top.
  The Romans  achieved the port of St. Cataldo, a famous beach for Lecce's people now, which is about 10 kilometres 
far  from the town. Once this landing place, belonging to the Adrian  age (it was so called Adrian), was one of the  
most important in the Adriatic, but it  declined inexorably in the middle Ages.
  We can already  notice the presence of Christianity in the II century A.D. in Lecce, which was one of the most 
ancient  Episcopal seats. Owing to the crisis of the Roman Empire  the town lost its self-confidence, it suffered 
devastation from pirates. In 542, during the Greek-Gothic war, it was  destroyed by Totila, then the Saracens arrived 
between the IX and X centuries.  On the Western Empire's falling, Lecce with a  large part of Apulia became Byzantine. 
The  town declined, it was involved in the conflicts between Byzantium  and the Longobards of the grand duchy of 
Benevento,  and Romualdo's mercenary troops conquered it in 680, granting people, after  some time, piece and 
prosperity.
  A few years  later, the town was destroyed by Saracens, then by the Hungarians, after that  by the Slavs. The greedy 
Byzantine power came back and between the VIII and IX centuries  they excited the iconoclastic persecutions which 
obliged the monks coming from  Sicily, Calabria and from the other Adriatic bank to hide themselves in the  gorges of 
desert and woody areas and they sheltered in the hypogeal  (underground) crypts they frescoed with the images of the 
saints of the  oriental rite.
  In the X  century Otto II from Saxony subjected Lecce,  which in 983 passed again to the Byzantines and it was 
annexed to the  Catapanato of Bari. Between 1055 and 1069 the Norman conquest of Terra  d'Otranto happened and Lecce  
became the earldom of d'Altavilla family. After saving himself from a shipwreck,  in 1182 the count Tancred founded 
the Romanesque church of the Saints Niccolò  and Cataldo (now in the cemetery), but the small contemporary 
church of St.  Mary d'Aurio, five kilometres far from the town is Norman too. In spite of some  civil wars, under the 
domination of the Northern lords, Lecce  was rich and powerful, in the reign it was second only to Palermo. The 
Normans also built mighty walls, the Mastio,  now included in Carlo V's castle, the still active Benedictine Monastery 
of St.  John the Evangelist.
  After being  passed to the Swabians because of the marriage between Constance d'Altavilla  and Henry VI of 
Hohenstaufen dinasty, who procreated Frederick II, the town  belonged to the Angevins in 1268 who granted it to the 
Brienne family as a  feud, then in 1356 it belonged to the Enghien family, under whose power it was  favoured, above 
all in the times of the countess Mary who married Raimondello  Orsini del Balzo in 1385 and, remaining a widow, she 
became the wife of King  Ladislao who married her only for political aims. The XIV century tower of  Belloluogo (nice 
place), on the old road for Surbo, dates back to the age of  Brienne family. Together with the tower   of Parco, built 
in the XV  century by Giovannantonio del Balzo, heir to Mary, it represents a symbolic  witness of the Angevin 
military architecture,  before the use of fire-arms.
  In 1446 Lecce was under the domination of Orsini del Balzo,  princes of Taranto; 17 years later it was  confiscated 
by the Aragonese monarchy, but it remained without any prince till  the age of Carlo VIII from France  who, while 
staying in Naples,  assigned it to Gilberto of Brunswick. After that, the kings of the two Sicilies  gave their 
third-born sons the earldom of Lecce,  though as only an honorific title...
  In 1480  Otranto was sacked and Lecce  repelled a sally from Islamites. The following year, due to the plague, 
15.000  people died, almost the same number of inhabitants who had died due to the  epidemic which raged between 1466 
and 1468. Flourishing Venetian, Tuscanian,  Greek-Albanian, Ragusan, Hebrew and Genoese colonies had already settled 
in the  town, trade prospered, but they were not idyllic times. During the  Franco-Spanish war, Lecce  in 1502 fell 
into transalpine people's hands and in the times of the king of  Spain Ferdinand the Catholic, there was the massacre 
of the Hebrews who, in  spite of some discrimination, had been defended by Mary of Enghien and Ferrante  of Aragon.
  During the  Spanish power, the capital of Salento, like the other places dominated by the  Iberians, was subjected 
to fiscal pressure. But in this period, the  reminiscence of Otranto's slaughter was still alive, so the fear of the 
Turks  lay heavy more than ever among the population of Salento. The coasts and the  farmhouses were fortified, the 
towns were surrounded by walls and Lecce was also endowed  with new defensive buildings. In 1539 Carlo V ordered to 
build new town-walls  and a mighty castle which, planned by Gian Giacomo dell'Acaya, still today  rises proud, while 
of the fortified walls with ramparts only few parts in bad  conditions remain. In the meantime the Medieval town was 
disappearing and Lecce was fortified by  Ferrante Loffredo, master of Terra d'Otranto, according to the criteria  
required by the use of artillery. When Lecce  became the capital of Apulia (1539) it  extended its borders, it took a 
more rational aspect, it adorned itself with  churches, convents, palaces, administrative and judicial organs, it 
became an  attractive place for nobles, artists and men of letters.
  Sciences and  arts flourished, various academies were built such as: Lupiense (XV century),  that of Trasformati 
(XVI century), of Speculatori (XVIII century) and finally Salentine Academy, later founded by Jesuite  Fathers.
  In the XVI  century Lecce  finally lived in piece, a piece guarded by numerous and powerful clergy who  favoured 
brotherhoods, congregations, and schools which managed efficient  spiritual centres. Thanks to the church, charitable 
and philanthropic  institutions were built in order to relieve the miseries of the poor and  foundlings. The town had 
remained out of the storm of the Protestant Reform,  and only with the presence of Theatines and Jesuites, 
respectively arrived in  1574 and 1586, it lived the new spirit of the Church renewed by the Council of  Trent.
  Between the XVI  and XVII centuries a feverish atmosphere pervaded the town which became a huge  central point for 
so many civil and religious works that private people,  ecclesiastic congregations and secular clergy busied 
themselves raising again  and again beautiful, imposing, buildings in a sort of constant emulation which  gave shape 
to the present aspect of the old part of Lecce, where we can notice  the triumph of Baroque everywhere.
  Nevertheless  it is a particular and unrepeatable Baroque, influenced by the theatrical and  spectacular taste of 
the Spanish culture, but it is made unique by the  characteristics of the local stone, ductile, ready for any 
engraving, any  arabesque, being of a straw colour which also generates heat. There were many  skilled workers of 
leccìsu, sculptors  and stone cutters who embellished the fronts and altars and the insides of  
patrician houses and of middle class who, in their turn, emulated the mighty  ones for wealth.
  Among the most  famous monuments of this age we must remember the Arch of Triumph, built in 1548 in honour of 
Charles V  and, among so many churches the first of all is the basilica of Santa Croce (Holy  Cross), built between 
1549 and 1646 with the adjoining Convent of Celestines,  today seat of the Provincial administration and Prefecture. 
For the  construction of this church, which represents the highest and the most  accomplished expression of the 
Baroque in Lecce,  famous local architects (C. Riccardi, C. Penna and G. Zimbalo) as well as  engravers and 
stone-cutters lavish their own talents were involved. We can  notice the triumph of Baroque above all in the front of 
the temple, a front  rich in symbols, statues, decorations and allegories.
  The  "church-town" has got a famous Cathedral, in a suggestive and  homonymous square, where we also find 
the Bishop's Palace and the Seminary.  Built in 1114 and completely rebuilt between 1659 and 1670
  by Giuseppe  Zimbalo, the author of the imposing bell tower too, this temple devoted to the  Virgin Mary has got 
Baroque altars, the crib by C. Riccardi and the crypt of  1517.
  In G. Libertini street  we find the churches of St. John the Baptist (or of Rosario)  of XVII century, of St. Ann  
(XVII century) and St. Teresa (XVII century). On Corso Vittorio Emanuele rises  the temple of St. Irene, built between 
XVI and XVII  centuries, according to a plan by F. Grimaldi, with a front in XVI century  style. In St. Oronzo square, 
few metres far from the column of the Patron of  the town, there are the ex small church   of St. Marco and the  
Sedile, both of them of the XVI century. In front of the Roman amphitheatre,  still partly buried, we find the church 
of Santa Maria della Grazia (of Grace),  built at the end of the XVI century, with classical influences, planned by F. 
 Coluzio. Near there, in Maremonti    street there is the church  of St. Anthony from Padua  (or of St. Joseph),  of 
1566, but with front and inside restorations of the XVIII century. At a  short distance, in Vittorio Emanuele II 
square we find the church of St. Chiara,  probably raised in 1694 by G. Cino. In Perroni street, the church of St. 
Matteo  is not so far, built by A. Larducci between 1667 and 1700, with the  characteristic front which reminds us of 
that of the temple of San Carlo alle  Quattro Fontane (St. Charles to the Four Fountains), in Rome. In Rubichi street  
we find the church of Jesus or del Buon Consiglio (of the Good Advice), raised  by the Jesuites in the late XVI 
century and planned by G. de Rosis; in the  small square of SS. Addolorata (Our Lady of Sorrows) we find the church of 
St.  Angel, probably built by C. Zimbalo, in 1663. Near there, in Peruzzi square,  the church of St.   Mary of Angels 
(or of San Francesco di Paola) of the XVI  century and finally, in Tancred square, the church of Carmine,  rebuilt 
from 1711 to 1717 by G. Cino, on  a XVI century building.
  These are Lecce's churches, but the  tourist can still find out so many ones and wandering for the town. He can  
observe the superb noble palaces which, between the XVI century and the XVIII  century, brought prestige and honour to 
the old part of the town. Among the XVI century buildings, we  must remember the following palaces: Veinazza 
Castromediano, Guarini, Gorgoni,  Loffredo-Adorni, Saraceno, Martirano, Pensini-Morisco, Fumarola-Spada, Perrone,  
Panzera, Prato, della Ratta, Giaconìa, Prioli, Giustiniani, de Raho, Morelli,  Maresgallo, Luperto, Lecciso, 
Zimara, Forleo and Mettola. The following palaces  are in XVII century style: Costantini, Lanzialao, Tafuri, 
Personè, Paladini,  Giugni, GrassiCattani, Rossi, Mariscalchi, Martucci, and Palumbo. Of the XVIII  century, 
then, are the palaces such as: Marrese, Guarini, Balsamo, Belli,  Palumbo, Rollo, de Simone, Manieri, Montefusco, 
D'Amore, Lopez y Royo-Personè,  Tresca, Carrozzo, Stabile, Bozzicorso, Lubelli and Tiso.
  The history of  Lecce, during  the XVI century, was without any important events, but the XVII century was not  
surely quiet. The news of the revolt of Masaniello, in Naples (1647) spread over the town,  nevertheless every attempt 
of rebellion was severely repressed. The Spanish  misrule squeezed population very much, besides there were also the 
abuses of  greedy feudatories, civil wars broke out in the town for political factions too  so that in 1646 the bishop 
Pappacoda was obliged to arm all the clergy.
  The town of  Lecce is not only famous for its churches and its Baroque palaces, but also for  a very typical art 
which, though achieved through poor material, has produced  and still produces, though in a minor tone, works of 
undisputed value and  prestige. We are referring to the paper-pulp, already used in the XVII century,  which has 
slowly seen the flourishing of famous artists such as: Pietro  Surgente, Achille de Lucrezi, Giovanni Andrea De 
Pascalis, Luigi Guacci,  Giuseppe Manzo, Raffaele Carretta, Antonio Malecore, Pitro Indino and Angelo  Capoccia, who 
have illustrated so many churches of Lecce, in Italy and in the  world, with their paper Saints and with their 
"shepherds", which  still today show themselves during the "Fair of St. Lucia" (13th  – 14th 
December), when “pupi” (small paper puppets which represent the  characters of the Nativity) and cribs are 
exhibited.
  An awful  plague afflicted Lecce  in 1656, and St. Oronzo was supposed to have stopped the plague, since then the  
Saint protomartyr has become the Patron of the town.
  In the XVIII  century, a prolific year for letters and arts, churches and palaces kept being  built. But the town 
life was sad as it was subjected to the rigours of  ecclesiastical collectors of taxes. In 1710 a revolt broke out 
against the clergy, the  king supported the population which was excommunicated by the bishop Fabrizio  Pignatelli, 
whose interdict lasted till 1719. The abuses of power committed by  the nobles and the town conflicts tormented the 
population.
  In 1749 the  Hebrews were definitely expelled from Lecce,  by order of Charles III of Bourbon.
  The  Enlightenment, in 1799, ended in the Parthenopean reign with the famous  revolutionary riots which exalted 
republic. In Lecce too, on 9th February of that year the  tree of freedom was raised, but after 24 hours it was cut 
down and then there  was the cruel repression on the part of the reactionary clergy and royalists.  After two 
centuries of subjection to Bourbons, in 1821 Lecce took part in the rebellion of the  liberals who 27 years later set 
up a provisional government. The Risorgimento in Lecce includes, among the other ones, famous  characters 
such as: Giuseppe Libertini and Sigismondo Castromediano. Finally,  in 1860, the town was annexed to the Reign of 
Italy and, after the Unity,  between 1895 and 1915, for the first time it extended beyond the 16th century  walls, 
endowing itself with many public buildings.
  In this period  the walls fortified with rampart were demolished and their ruins were used to  fill up the ditches of putrid water. In these rooms, above all along viale  (Avenue) Gallipoli and viale Lo Re, some small villas of 
eclectic style were  slowly built, constructions which show something exotic, oriental which  harmonizes with the 
trends of time and with building and decorative experiences  already present in the town, the  neo-classical  
ones, together with the most various styles.