Lecce, a city in Apulia of 94.907 inhabitants , is of Messapian origin. According to
tradition, it was founded in the V century B.C. by Malennio, whose daughter Euippa married Idomeneo, the hero coming
from Troia who had already defeated his father-in-law, taking possession of the reign. The town was originally called
Sybaris, then because of Idomeneo, Lytium or Lycium. Lecce kept being a Messapian town, though it was also
influenced by Magna Graecia, even after the Roman Conquest (267 B.C.). It opposed the expansionistic aims of
Taranto, it allied itself with Athens in the 341 year of Rome and it sent 1500 archers in support of the Greek town
for the war in Sicily.
The mysterious Messapian people, proud of their civilization and their military power, gave a lot of trouble at
first to the Greeks in the South Italy and then to the Romans. Imposing walls, archaeological stations (Rudiae,
Cavallino, Muro Leccese, Alezio, Ugento) remain in Salento and in Lecce itself, during fortuitous excavations:
sometimes appear tombs, inscriptions, funeral equipment of which we can see some finds in the local museum S.
Castromediano while the most part of funeral furnishings is preserved in the National Museum of Taranto.
Between 629 and 267 B.C., owing to the wars between the Messapian-Salentine confederates, Taranto and Pirro and the
Urbe (Rome), the Roman conquest occurred in Salento, where the Messapian language and the different dialects from
Magna Graecia were spoken, but which, during the seven years of Latin domination, completely disappeared.
In the neighbourhood of Lecce, in the meantime declared Statio Militum Lupiae, Quinto Ennio was born in
Rudiae in 239 B.C., a famous Roman poet, proud of his Roman citizenship, but also proud of his Messapian-Rudian
origins.
Lecce and Salento, after occasional rebellions, linked their fortunes to Rome, to which they were always faithful
and the town, taking part in Camilla tribe, also succeeded in opposing Hannibal who wasn't able to violate its
walls. Roman soldiers and colonies settled in Lecce, and in particular we must remember that in 102 B.C. a colony was
founded, led by C. Mario Nepote and by L. Lutazio Catulo. Another colony was established in the town in 75 A.D.,
under the power of Vespasian. Of the Roman age some epigraphs, some ruins, an amphitheatre and a theatre remain in
Lecce, belonging the two last ones to the II century A.D.
Of Roman Age is the column which bears the statue of St. Oronzo, patron of the town, who, together with Saints
Giusto and Fortunato is celebrated from 24th to 26th August. Such column, in the homonymous St. Oronzo square, is one
of the two final shafts of the Appian Way, ending in Brindisi. And the people from Brindisi themselves, in the late
XVII century, due to favours received by St. Oronzo, gave the column as a gift to Lecce in order to put the statue
of the Saint thaumaturge on its top.
The Romans achieved the port of St. Cataldo, a famous beach for Lecce's people now, which is about 10 kilometres
far from the town. Once this landing place, belonging to the Adrian age (it was so called Adrian), was one of the
most important in the Adriatic, but it declined inexorably in the middle Ages.
We can already notice the presence of Christianity in the II century A.D. in Lecce, which was one of the most
ancient Episcopal seats. Owing to the crisis of the Roman Empire the town lost its self-confidence, it suffered
devastation from pirates. In 542, during the Greek-Gothic war, it was destroyed by Totila, then the Saracens arrived
between the IX and X centuries. On the Western Empire's falling, Lecce with a large part of Apulia became Byzantine.
The town declined, it was involved in the conflicts between Byzantium and the Longobards of the grand duchy of
Benevento, and Romualdo's mercenary troops conquered it in 680, granting people, after some time, piece and
prosperity.
A few years later, the town was destroyed by Saracens, then by the Hungarians, after that by the Slavs. The greedy
Byzantine power came back and between the VIII and IX centuries they excited the iconoclastic persecutions which
obliged the monks coming from Sicily, Calabria and from the other Adriatic bank to hide themselves in the gorges of
desert and woody areas and they sheltered in the hypogeal (underground) crypts they frescoed with the images of the
saints of the oriental rite.
In the X century Otto II from Saxony subjected Lecce, which in 983 passed again to the Byzantines and it was
annexed to the Catapanato of Bari. Between 1055 and 1069 the Norman conquest of Terra d'Otranto happened and Lecce
became the earldom of d'Altavilla family. After saving himself from a shipwreck, in 1182 the count Tancred founded
the Romanesque church of the Saints Niccolò and Cataldo (now in the cemetery), but the small contemporary
church of St. Mary d'Aurio, five kilometres far from the town is Norman too. In spite of some civil wars, under the
domination of the Northern lords, Lecce was rich and powerful, in the reign it was second only to Palermo. The
Normans also built mighty walls, the Mastio, now included in Carlo V's castle, the still active Benedictine Monastery
of St. John the Evangelist.
After being passed to the Swabians because of the marriage between Constance d'Altavilla and Henry VI of
Hohenstaufen dinasty, who procreated Frederick II, the town belonged to the Angevins in 1268 who granted it to the
Brienne family as a feud, then in 1356 it belonged to the Enghien family, under whose power it was favoured, above
all in the times of the countess Mary who married Raimondello Orsini del Balzo in 1385 and, remaining a widow, she
became the wife of King Ladislao who married her only for political aims. The XIV century tower of Belloluogo (nice
place), on the old road for Surbo, dates back to the age of Brienne family. Together with the tower of Parco, built
in the XV century by Giovannantonio del Balzo, heir to Mary, it represents a symbolic witness of the Angevin
military architecture, before the use of fire-arms.
In 1446 Lecce was under the domination of Orsini del Balzo, princes of Taranto; 17 years later it was confiscated
by the Aragonese monarchy, but it remained without any prince till the age of Carlo VIII from France who, while
staying in Naples, assigned it to Gilberto of Brunswick. After that, the kings of the two Sicilies gave their
third-born sons the earldom of Lecce, though as only an honorific title...
In 1480 Otranto was sacked and Lecce repelled a sally from Islamites. The following year, due to the plague,
15.000 people died, almost the same number of inhabitants who had died due to the epidemic which raged between 1466
and 1468. Flourishing Venetian, Tuscanian, Greek-Albanian, Ragusan, Hebrew and Genoese colonies had already settled
in the town, trade prospered, but they were not idyllic times. During the Franco-Spanish war, Lecce in 1502 fell
into transalpine people's hands and in the times of the king of Spain Ferdinand the Catholic, there was the massacre
of the Hebrews who, in spite of some discrimination, had been defended by Mary of Enghien and Ferrante of Aragon.
During the Spanish power, the capital of Salento, like the other places dominated by the Iberians, was subjected
to fiscal pressure. But in this period, the reminiscence of Otranto's slaughter was still alive, so the fear of the
Turks lay heavy more than ever among the population of Salento. The coasts and the farmhouses were fortified, the
towns were surrounded by walls and Lecce was also endowed with new defensive buildings. In 1539 Carlo V ordered to
build new town-walls and a mighty castle which, planned by Gian Giacomo dell'Acaya, still today rises proud, while
of the fortified walls with ramparts only few parts in bad conditions remain. In the meantime the Medieval town was
disappearing and Lecce was fortified by Ferrante Loffredo, master of Terra d'Otranto, according to the criteria
required by the use of artillery. When Lecce became the capital of Apulia (1539) it extended its borders, it took a
more rational aspect, it adorned itself with churches, convents, palaces, administrative and judicial organs, it
became an attractive place for nobles, artists and men of letters.
Sciences and arts flourished, various academies were built such as: Lupiense (XV century), that of Trasformati
(XVI century), of Speculatori (XVIII century) and finally Salentine Academy, later founded by Jesuite Fathers.
In the XVI century Lecce finally lived in piece, a piece guarded by numerous and powerful clergy who favoured
brotherhoods, congregations, and schools which managed efficient spiritual centres. Thanks to the church, charitable
and philanthropic institutions were built in order to relieve the miseries of the poor and foundlings. The town had
remained out of the storm of the Protestant Reform, and only with the presence of Theatines and Jesuites,
respectively arrived in 1574 and 1586, it lived the new spirit of the Church renewed by the Council of Trent.
Between the XVI and XVII centuries a feverish atmosphere pervaded the town which became a huge central point for
so many civil and religious works that private people, ecclesiastic congregations and secular clergy busied
themselves raising again and again beautiful, imposing, buildings in a sort of constant emulation which gave shape
to the present aspect of the old part of Lecce, where we can notice the triumph of Baroque everywhere.
Nevertheless it is a particular and unrepeatable Baroque, influenced by the theatrical and spectacular taste of
the Spanish culture, but it is made unique by the characteristics of the local stone, ductile, ready for any
engraving, any arabesque, being of a straw colour which also generates heat. There were many skilled workers of
leccìsu, sculptors and stone cutters who embellished the fronts and altars and the insides of
patrician houses and of middle class who, in their turn, emulated the mighty ones for wealth.
Among the most famous monuments of this age we must remember the Arch of Triumph, built in 1548 in honour of
Charles V and, among so many churches the first of all is the basilica of Santa Croce (Holy Cross), built between
1549 and 1646 with the adjoining Convent of Celestines, today seat of the Provincial administration and Prefecture.
For the construction of this church, which represents the highest and the most accomplished expression of the
Baroque in Lecce, famous local architects (C. Riccardi, C. Penna and G. Zimbalo) as well as engravers and
stone-cutters lavish their own talents were involved. We can notice the triumph of Baroque above all in the front of
the temple, a front rich in symbols, statues, decorations and allegories.
The "church-town" has got a famous Cathedral, in a suggestive and homonymous square, where we also find
the Bishop's Palace and the Seminary. Built in 1114 and completely rebuilt between 1659 and 1670
by Giuseppe Zimbalo, the author of the imposing bell tower too, this temple devoted to the Virgin Mary has got
Baroque altars, the crib by C. Riccardi and the crypt of 1517.
In G. Libertini street we find the churches of St. John the Baptist (or of Rosario) of XVII century, of St. Ann
(XVII century) and St. Teresa (XVII century). On Corso Vittorio Emanuele rises the temple of St. Irene, built between
XVI and XVII centuries, according to a plan by F. Grimaldi, with a front in XVI century style. In St. Oronzo square,
few metres far from the column of the Patron of the town, there are the ex small church of St. Marco and the
Sedile, both of them of the XVI century. In front of the Roman amphitheatre, still partly buried, we find the church
of Santa Maria della Grazia (of Grace), built at the end of the XVI century, with classical influences, planned by F.
Coluzio. Near there, in Maremonti street there is the church of St. Anthony from Padua (or of St. Joseph), of
1566, but with front and inside restorations of the XVIII century. At a short distance, in Vittorio Emanuele II
square we find the church of St. Chiara, probably raised in 1694 by G. Cino. In Perroni street, the church of St.
Matteo is not so far, built by A. Larducci between 1667 and 1700, with the characteristic front which reminds us of
that of the temple of San Carlo alle Quattro Fontane (St. Charles to the Four Fountains), in Rome. In Rubichi street
we find the church of Jesus or del Buon Consiglio (of the Good Advice), raised by the Jesuites in the late XVI
century and planned by G. de Rosis; in the small square of SS. Addolorata (Our Lady of Sorrows) we find the church of
St. Angel, probably built by C. Zimbalo, in 1663. Near there, in Peruzzi square, the church of St. Mary of Angels
(or of San Francesco di Paola) of the XVI century and finally, in Tancred square, the church of Carmine, rebuilt
from 1711 to 1717 by G. Cino, on a XVI century building.
These are Lecce's churches, but the tourist can still find out so many ones and wandering for the town. He can
observe the superb noble palaces which, between the XVI century and the XVIII century, brought prestige and honour to
the old part of the town. Among the XVI century buildings, we must remember the following palaces: Veinazza
Castromediano, Guarini, Gorgoni, Loffredo-Adorni, Saraceno, Martirano, Pensini-Morisco, Fumarola-Spada, Perrone,
Panzera, Prato, della Ratta, Giaconìa, Prioli, Giustiniani, de Raho, Morelli, Maresgallo, Luperto, Lecciso,
Zimara, Forleo and Mettola. The following palaces are in XVII century style: Costantini, Lanzialao, Tafuri,
Personè, Paladini, Giugni, GrassiCattani, Rossi, Mariscalchi, Martucci, and Palumbo. Of the XVIII century,
then, are the palaces such as: Marrese, Guarini, Balsamo, Belli, Palumbo, Rollo, de Simone, Manieri, Montefusco,
D'Amore, Lopez y Royo-Personè, Tresca, Carrozzo, Stabile, Bozzicorso, Lubelli and Tiso.
The history of Lecce, during the XVI century, was without any important events, but the XVII century was not
surely quiet. The news of the revolt of Masaniello, in Naples (1647) spread over the town, nevertheless every attempt
of rebellion was severely repressed. The Spanish misrule squeezed population very much, besides there were also the
abuses of greedy feudatories, civil wars broke out in the town for political factions too so that in 1646 the bishop
Pappacoda was obliged to arm all the clergy.
The town of Lecce is not only famous for its churches and its Baroque palaces, but also for a very typical art
which, though achieved through poor material, has produced and still produces, though in a minor tone, works of
undisputed value and prestige. We are referring to the paper-pulp, already used in the XVII century, which has
slowly seen the flourishing of famous artists such as: Pietro Surgente, Achille de Lucrezi, Giovanni Andrea De
Pascalis, Luigi Guacci, Giuseppe Manzo, Raffaele Carretta, Antonio Malecore, Pitro Indino and Angelo Capoccia, who
have illustrated so many churches of Lecce, in Italy and in the world, with their paper Saints and with their
"shepherds", which still today show themselves during the "Fair of St. Lucia" (13th – 14th
December), when “pupi” (small paper puppets which represent the characters of the Nativity) and cribs are
exhibited.
An awful plague afflicted Lecce in 1656, and St. Oronzo was supposed to have stopped the plague, since then the
Saint protomartyr has become the Patron of the town.
In the XVIII century, a prolific year for letters and arts, churches and palaces kept being built. But the town
life was sad as it was subjected to the rigours of ecclesiastical collectors of taxes. In 1710 a revolt broke out
against the clergy, the king supported the population which was excommunicated by the bishop Fabrizio Pignatelli,
whose interdict lasted till 1719. The abuses of power committed by the nobles and the town conflicts tormented the
population.
In 1749 the Hebrews were definitely expelled from Lecce, by order of Charles III of Bourbon.
The Enlightenment, in 1799, ended in the Parthenopean reign with the famous revolutionary riots which exalted
republic. In Lecce too, on 9th February of that year the tree of freedom was raised, but after 24 hours it was cut
down and then there was the cruel repression on the part of the reactionary clergy and royalists. After two
centuries of subjection to Bourbons, in 1821 Lecce took part in the rebellion of the liberals who 27 years later set
up a provisional government. The Risorgimento in Lecce includes, among the other ones, famous characters
such as: Giuseppe Libertini and Sigismondo Castromediano. Finally, in 1860, the town was annexed to the Reign of
Italy and, after the Unity, between 1895 and 1915, for the first time it extended beyond the 16th century walls,
endowing itself with many public buildings.
In this period the walls fortified with rampart were demolished and their ruins were used to fill up the ditches of putrid water. In these rooms, above all along viale (Avenue) Gallipoli and viale Lo Re, some small villas of
eclectic style were slowly built, constructions which show something exotic, oriental which harmonizes with the
trends of time and with building and decorative experiences already present in the town, the neo-classical
ones, together with the most various styles.